I've been enjoying a blog called The Silent Penultimate Panel, even though I've never had the good fortune to appear there. Until today.
Yesterday's Spot was designed for two reasons: the first was to aim a wink in Arnold Wagner's direction. The second was to send a nod in SPP's direction, with a silent panel set into a strip of white panels.
Matt Gill makes a good point about the penultimate panel. There are times when the next-to-last frame is an unnecessary beat before the punchline. I kept a hammer at the drawing table for many years, pounding in that pause every five strips or so. When I switched to the three-panel format, the penultimate silent panel became a harder fit (though not impossible -- sometimes you need to see a character think, and sometimes the joke deserves a break.) Having learned my trade by reading Peanuts, taking that penultimate break felt as natural as drawing a breath before finishing a story. (incidental thought: I wonder if I was also influenced by decades of sitcoms, where so many punchlines are delivered when the laughing audience, canned or otherwise, takes a breath.)
With luck, some day, I'll find a way to write a penultimate panel that sits in a strip of completely empty panels. The ultimate penultimate silent moment.